Letters

The capital A was adopted by Ateliers Tilburg.
The Á is adopted by Astrid Mikkers/AMi Tekstvormen.
The A with dieresis was adopted by Ans Vermeulen.
The A ring was adopted by Benjamin Ritter.
The Æ is adopted by the FLÆS of De Appelfabriek.
The capital B was adopted by Brabants Dagblad.
The capital C was adopted by Cinecitta.
The capital D was adopted by Díptic, bureau for cultural projects.
The capital E was adopted by Godelieve Engbersen.
The capital É was adopted by Hans Dusée, HD design.
The È was adopted by Schrobbelèr.
The capital F was adopted by Design studio FUNck.
The capital G was adopted by bookshop Gianotten Mutsaers.
The capital H was adopted by Hans van Berkel makelaardij.
The capital H bar was adopted by Marjolein Landman.
The capital I was adopted by Indicia.
The capital J was adopted by Jos Wilbrink.
The capital K was adopted by Tilburgse kermis.
The capital L was adopted by Marjo Linden.
The L dot was adopted by Ari van Valen.
The L cedille was adopted by Goldsmith’s shop Lizzz.
The capital M was adopted by Marc-Marie Huijbregts.
The capital N was adopted by De Nieuwe Hoef.
The capital O was adopted by Onze zaak 2.0.
The capital Ô was adopted by Studio Jan Ooms.
The O dieresis was adopted by Iris – oog voor tekst. 
The character Ø is adopted by Jan and Lia Otten.
The character Ó is adopted by Joost Abbing / JAgd ontwerp.
The capital P was adopted by museum De Pont.
The capital Q was adopted by Q-promotions.
The capital R was adopted by Café Bolle.
The R with caron accent was adopted by Jaspers Verhuur.
The capital S was adopted by Stadsmuseum Tilburg.
The capital T was adopted by the City Council of Tilburg.
The capital U was adopted by Tilburg University.
The Ù is adopted by Uitvaartbegeleiding Harriet van der Vleuten.
The capital V was adopted by VeertienElf Media.
The capital W was adopted by the Koning Willem II College.
The capital X was adopted by Studio x-hoogte.
The capital Y was adopted by André van Gils.
The capital IJ was adopted by Het Inventief.
The capital Z was adopted by Uitgeverij Zwijsen.
The Z with dot accent was adopted by Studio Zeedauw.
The lower case a was adopted by Paul le Blanc en Ria Swaans
The â is adopted by Charlotte Ritter.
The lower case á was adopted by Anton de Kroon.
The lower case à is reserved.
The lower case ä was adopted by Aart de Zeeuw.
The lower case å was adopted by Annemarie Kloeg.
The æ was adopted by Bob van Geffen.
The lower case b was adopted by city poet Martin Beversluis.
The lower case c was adopted by Cultuurfonds Tilburg.
The lower case ç was adopted by Carin van Oekel, bytriggerz.
The lower case d was adopted by David.
The ď is adopted by Carla d‘Hont.
The lower case e was adopted by Eddie van Dooren, Brick Cost Engineering.
The lower case é was adopted by Els Rollé, handboekbinder/tekstredacteur.
The lower case è was adopted by Jace van de Ven.
The lower case ë was adopted by Harriëtte Koning, Knetterfeest.
The lower case f was adopted by Jasper Razenberg, Freelance Creatief.
The lower case g was adopted by Gerdien Wolthaus Paauw, Paauw Fotografie.
The lower case h was adopted by Fridy Latijnhouwers, Hart voor verhalen.
The lower case i was adopted by the Van Iersel family.
The lower case î was adopted by Hanneke van Rooij.
The lower case dotless i was adopted by Stichting Plezier In Lezen (SPIL).
The lower case ij was adopted by Anne Neijnens, Teamakery.
The lower case j was adopted by Bram Jacobs.
The lower case k was adopted by the city chronicler Berny van de Donk.
The lower case l was adopted by Jan Doms, LEF stadsdynamica.
The lower case m was adopted by drukkerij Mezclado.
The lower case n was adopted by Nicole de Jong, Tilburgs Taolbuuroo.
The lower case ñ was adopted by Ingrid Neijnens.
The lower case o was adopted by Bookshop Livius de Zevensprong.
The lower case ó was adopted by Tilburgse Revue.
The lower case ô was adopted byKees Remmers
The lower case p was adopted by Pien Prent.
The lower case q was adopted by Erfgoed Brabant.
The lower case r was adopted by Reinout Reijnen.
The lower case s was adopted by Simon Haen.
The lower case ß was adopted by Welvertaald.
The lower case t was adopted by theaters tilburg.
The letter ť is adopted by Charlotte van Korlaar.
The ṯ is adopted by Tamira Waszink.
The lower case u was adopted by Fer Remmers Publisher.
The lowercase û was adopted by Anne Zwaga.
The lower case v was adopted by Jan Vugts, Bureau Ver(?)antwoord.
The lower case w was adopted by Studio Wonderdag.
The ẅ is adopted by Jan Vorstenbosch.
The lower case x was adopted by Rogier Kuit, La Cloche Horeca Groep.
The lower case y was adopted by Odette Payens, Ontwerp Cirkel.
The lower case z was adopted by Zoë.
The digit 0 was adopted by Anne Bakker and Jan Mulder.
The digit 1 was adopted by Beatrijs van der Weijden.
The digit 2 was adopted by Janine Hendriks, Kaftwerk.
The digit 3 was adopted by Stichting Kultoer.
The digit 3 was adopted by Stichting Kultoer.
The digit 5 is adopted by Etienne van Valen.
The digit 6 is adopted by Rita van Dooren.
The digit 7 was adopted by Achim Riegel.
The digit 8 was adopted by Willemijn Mulders.
The digit 9 was adopted by Niels van der Burgt, Berucht Ontwerp.
The π sign was adopted by Pieter de Jong.
The Ω sign was adopted by Coöperatie DELA.
The ! was adopted by Yon Prüst, Studyo-n.
The ¿ was adopted by Inge Koenen.
The ? was adopted by Marcelle Hendrickx.
The . was adopted by poet Frank van Pamelen and puntdichter Jan J. Pieterse.
The , was adopted by Hans van Driel.
The : was adopted by Paul van Kemenade.
The ; was adopted by Charlotte Tekol.
The … sign was adopted by Miranda Poel.
The @ sign was adopted by Martijn Kool, Studio Kool.
The © sign was adopted by OJW advocaten.
The ® sign was adopted by tandartspraktijk Reijnen.
The ™ sign was adopted by Maureen Prins and Meike van Zandvoort, Pop Up Cinema Tilburg.
The <> were adopted by Monica Hajek.
The # was adopted by Koj Koning.
The & was adopted by Arnoud Geux.
The ∞ sign was adopted by John Körmeling.
The * was adopted by Genootschap Onze Taal.
The ° sign was adopted by Van Meerendonk Dranken.
The † was adopted by Ad and Ria Jacobs.
The € was adopted by Advisering Accountancy- en Belastingzaken De Laat.
The $ was adopted by Gratis Doelen Steunen.
The ¥ was adopted by ¥vonne and Bram van Berkel.
The ½ was adopted by Blauwzuur and Framework.
The % was adopted by Gemma van der Heijden.
The ‰ was adopted by Wijnkoperij Van Bilsen.
The em dash was a gift for Ronald Peeters when he retired as head of Stadsmuseum Tilburg. 
The en dash was adopted by Lout Donders.
The dash was adopted by Lo-go, Reclame op maat.
The + was adopted by KNMG district Midden-Brabant.
The = was adopted by Margo Mutsaers and Erik Mulder.
The ± was adopted by administratiekantoor Bilan.
The ≠ was adopted by Joost van der Werf, Fishhook Media.
The ≈ was adopted by Sybrand Treffers.
The × was adopted by Marlies and Willem Bongaarts.
The ÷ was adopted by Beppie Smit.
The radical is adopted by Gijsbert de Keizer.
The ‘ ’ were adopted by Marie Antoinette Sondeijker and Jacq Palinckx.
The “ ” were adopted by Iris and Jan Karremans.
The « » are adopted by De Pont Reijrink Advocaten.
The { } were adopted by Patrick Broens, Typo3 Development.
The ( ) were adopted by Diederik Stapel.
The [ ] were adopted by Annemarie de Bruijn.
The • was adopted by Carmen Sparidans, Ontwerpheld.
The arrow right was adopted by Annette Paulsen.
The arrow pointing to the left was adopted by Taco Bell.
The arrow up was adopted by Achmea Interpolis.
The ´ was adopted by Gianotten Printed Media.
The ` was adopted by Stichting Tilburgse Taol.
The ^ was adopted by Naber Makelaars.
The ¨ was adopted by Lonki Porteners.
The ~ was adopted by Danielle Schaffelaars, il panda electrik.
The ¸ was adopted by Villa Pastorie.
The § was adopted by Jacques and Jet van der Borght-Smulders.
The ¶ was adopted by Hans Dictus.
The
The phi was adopted by Stegenga Werkplaats voor Stedenbouw. This sign isn't present in TilburgsAns, but can be found in TilburgsAnsText and TilburgsAnsIcons123.
The jè mark is available in the typefaces TilburgsAnsText and TilburgsAnsIcons. It pops up when the word jè is typed and followed by a period. On May 27, 2017 the jè mark was officially launched and handed over to Jürgen Siebert, director of the TYPO Berlin confenrece.
The ‘I don't have a clue’ sign is an idea of and adopted by Freek Vermaas. I can be accessed in TilburgsAnsIcons123 by typing two question marks.
The sum sign was adopted by Koen Bakx/PixelXp.
The slash was adopted by Toussaint Hoynck van Papedrecht and Marion Berghege
The integral character is adopted by Christiane Schijvens and Jan Willem van Nunen.